Monday, May 17, 2010

Tennis World


Brothers to the Death: They say that married couples begin to resemble each other as they get older. Can it also be true of tennis rivals, who spend so much time in the same rarefied air, far above the rest of us? At their peaks, Borg and McEnroe each sported long locks and headbands. By the end of his career, Pete Sampras was beginning to catch up to Andre Agassi in the hair-loss department. If anything, Rafael Nadal and Roger Federer have gone their predecessors one better. Standing next to each other during the trophy ceremony in Madrid on Sunday, these two 20-somethings from Western Europe, each 6-foot-1, each smiling thinly and politely for the cameras, each with hair that has been tamed and trimmed from its youthful overabundance, looked more like big brother and little brother than they did hated combatants.

Watching them, I wondered whether this might be the beginning of a new, mellower, let-bygones-be-bygones stage of their rivalry, one that Borg and McEnroe never had a chance to reach, and one that, as we found out at the Hit for Haiti in Indian Wells in March, was never in the cards for Agassi and Sampras. After all, the driving dynamic behind Federer vs. Nadal for all these years was the fact that each wanted to win on the other guy’s Grand Slam turf—Federer at the French and Nadal at Wimbledon. Now, for the first time, that dynamic doesn’t exist. Even Nadal’s sincere words to Federer after this final—basically, “Congratulations on winning the Australian Open. You are amazing”—had a sort of, ‘At this point, there’s no need to belabor the fact that we respect each other,’ feel to them.

Thankfully, rivalries are just what they sound like: They can be friendly, but the core of the relationship is always adversarial. Even though Federer has a French and Nadal has a Wimbledon, the edge between them lives on, as it must. Nadal wants to add titles to his resume while he has the chance, while Federer, at the most basic level, doesn’t want to see Nadal pad his winning record against him even more. (If you thought Federer didn’t have any more reasons to be motivated, try to imagine the putative greatest of all time contemplating a career head-to-head with Nadal that continues at its current pace and ends up being something like 18 to 9 in Rafa’s favor. There’s some motivation.) You could see the edge between before the Madrid final, and hear a little more of it in their press conferences afterward.

From the first time I saw a 16-year-old Nadal play at the U.S. Open in—was it really this long ago?—2003, he has made a point of controlling the tempo of the match, and it begins even before the first ball of the warm-up is hit. Even then, when he was nothing more than a rookie prospect making his Open debut, he took whatever time he needed to concoct his fitness drinks on the sideline before the coin toss. While the chair umpire and his opponent waited somewhat impatiently at the net, he then took a couple of seconds to gingerly align his two water bottles in whatever mysterious configuration he needed them to be in. I remember being surprised, slightly annoyed, but in the end impressed by the kid’s willfulness. He made you take notice of him for more than just his forehand.

Nadal has never deviated from this ritual, and in the seven years since that Open I can remember only one time when he was the first player out to the net for the coin toss—last year against Federer in Madrid, when he may have decided that, with the effort he’d needed to put in to win his semifinal over Novak Djokovic the previous day, he needed to get the blood flowing right away. Aside from that day, Federer, like everyone else, has been the one kept waiting, awkwardly, hands behind his back, looking around aimlessly, while Nadal sits and sucks down a tube of energy gel (I’m guessing someone here can tell me what it is). Yesterday, Federer came prepared to do something about it. Rather than wait at the net, he stayed in his own chair until he saw Nadal make his move.

This spared Federer the wait with the umpire, but the larger point is that Nadal was still in control of the tempo, and Federer was still, whatever his status as the greatest player of all time, the one who had to react to what his opponent was doing. And this carried over into the match, where Nadal, as always, dictated the match’s pace. Whether you find his various tics irritating, or whether or not he’s taking too much time—obviously, he shouldn’t be allowed to do this—it’s difficult to play against someone who plays more slowly than you like to play. By the time the serve gets to you, you’re just a little more anxious than normal. Owning the tempo is not a small thing in a tennis match.

That’s not why Nadal has beaten Federer 14 times, or why he beat him yesterday. But the reason he did is related. Maybe it’s because they hadn’t played in a year and I’d forgotten exactly how their rallies typically unfold, but I was amazed at how efficient Nadal was at tilting them in his favor right from the first ball. When he’s been asked in the past about what he does differently against Federer, Nadal typically, and blandly, says something along the lines of “be more aggressive.” Specifically, he wants the points to take place from his forehand to Federer’s one-handed backhand, and not the other way around. With this in mind, Nadal forces the action and plays with more urgency against Federer than he does against anyone else. Of course, Federer wants to do the same thing as Nadal, and he did control his share of rallies, but Nadal can do more with his two-hander from deeper in the court than Federer typically can with his one-hander. At 1-1 in the first set yesterday, Nadal broke with a heavy backhand up the line, and he continued to hit it well, especially crosscourt, all match.

The bottom line is that on clay (and on other surfaces to a degree), Federer must come out of his comfort zone more often than Nadal if he’s going to make anything happen in a rally. He has to find an extreme crosscourt angle with his backhand, or, as the match progresses, he must go to the drop shot more and more. Federer hits the drop shot well, and contrary to what we’ve been told, he’s been using it for years—remember the vicious backspinner he hit against Safin late in their classic semi in Australia in 2005? But the drop shot will always be a risk, no matter who is trying it, and it will never win you a match the way a serve or a forehand can. Up 4-2 in the second-set tiebreaker, Federer missed what at first glance appeared to be an easy drop shot into the net, one that was almost certainly going to be a winner. He was disgusted with himself, and, judging by the way he played the rest of the breaker, he couldn’t get it out of his head. But the fact is, the judgment and touch needed to place a drop shot perfectly—and against Nadal they must all be close to perfect—will always make it a dicey shot to try under the pressure of a tiebreaker, and one you don't want to have to rely on.

The changes of pace that Nadal threw in were less reactive and more assured—more pro-active—than Federer’s. Down 15-40 in the first set, Nadal won the point by hitting, for the first time in the match, a kick second serve out wide to Federer’s forehand. On important points, Nadal was able to nail his first serve up the T after having sent a dozen straight out wide; his first ace of the match didn’t come until the second set, but it came when he needed it, on game point at 2-2. And at 5-6, 40-30 in the second set, Nadal won the game by suddenly and surprisingly drilling his forehand up the line instead of crosscourt. On clay, at least, Nadal has an uncanny way of staying one step ahead of Federer, from the coin toss to the clinching tiebreaker.

Afterward, Federer said that, fair or not, their clay-court seasons would be judged on the French Open alone. Nadal disagreed, understandably loath to say that the three titles he’d just won were meaningless. Federer is at a stage in his career when he can treat the Masters as a way to set himself up for the majors, for history. He wants to use his energy to go hard for the ones that everyone will remember. For Nadal, the Masters are a big part of what will be his legacy; he’s going to retire as the all-time winner of them. Beyond that, I’ve always believed there’s more to tennis than the Slams, because, well, there’s more to tennis than the Slams. Why are all of these other tournaments played, otherwise? Why shouldn’t they be enjoyed in their own right, with our total attention and commitment, and not just as appetizers for four tournaments that cover a mere eight weeks of the year? I’ve always liked Nadal’s attitude: Go for the win every time you set foot on a court, give every fan in every venue a chance to see you put yourself on the line, and honor them by celebrating and being equally proud of every win, no matter where it takes place. This, no doubt, is not as practical in the long run as the dour old Lendl-Sampras mantra, “Only the majors matter.” But look at it from a fan’s perspective. For us, as viewers who like to watch tennis more than four times a year, Nadal’s passion for every match offers a lot more entertainment and satisfaction.

Let me return to the two rivals on the victory stand, looking a little like brothers. Why choose between them at this point? Here you had the greatest men’s Grand Slam winner in history next to the greatest Masters Series winner. Here you had two guys who keep coming back coming back coming back, even as the contenders/pretenders below them fade into the woodwork. If they’re starting to look more alike as time goes on, that may be because, as they continue to defy the odds of tennis gravity year after year, Federer and Nadal both keep looking better and better to us.

Ipod Encyclopedia




The iPod is a portable media player designed and marketed by Apple and launched on October 23, 2001. The product line-up includes the hard drive-based iPod Classic, the touchscreen iPod Touch, the video-capable iPod Nano, and the compact iPod Shuffle. The iPhone can function as an iPod but is generally treated as a separate product. Former iPod models include the iPod Mini and the spin-off iPod Photo (since reintegrated into the main iPod Classic line). iPod Classic models store media on an internal hard drive, while all other models use flash memory to enable their smaller size (the discontinued Mini used a Microdrive miniature hard drive). As with many other digital music players, iPods can also serve as external data storage devices. Storage capacity varies by model, ranging from 2 GB for the iPod Shuffle to 160 GB for the iPod Classic.

Apple's iTunes software can be used to transfer music to the devices from computers using certain versions of Apple Macintosh and Microsoft Windows operating systems.[1] For users who choose not to use Apple's software or whose computers cannot run iTunes software, several open source alternatives to iTunes are also available.[2] iTunes and its alternatives may also transfer photos, videos, games, contact information, e-mail settings, Web bookmarks, and calendars to iPod models supporting those features.

The iPod line came from Apple's "digital hub" category,[3] when the company began creating software for the growing market of personal digital devices. Digital cameras, camcorders and organizers had well-established mainstream markets, but the company found existing digital music players "big and clunky or small and useless" with user interfaces that were "unbelievably awful,"[3] so Apple decided to develop its own. As ordered by CEO Steve Jobs, Apple's hardware engineering chief Jon Rubinstein assembled a team of engineers to design the iPod line, including hardware engineers Tony Fadell and Michael Dhuey,[4] and design engineer Jonathan Ive.[3] The product was developed in less than one year and unveiled on 23 October 2001. Jobs announced it as a Mac-compatible product with a 5 GB hard drive that put "1,000 songs in your pocket."[5]

Apple did not develop the iPod software entirely in-house, instead using PortalPlayer's reference platform based on two ARM cores. The platform had rudimentary software running on a commercial microkernel embedded operating system. PortalPlayer had previously been working on an IBM-branded MP3 player with Bluetooth headphones.[3] Apple contracted another company, Pixo, to help design and implement the user interface under the direct supervision of Steve Jobs.[3] As development progressed, Apple continued to refine the software's look and feel. Starting with the iPod Mini, the Chicago font was replaced with Espy Sans. Later iPods switched fonts again to Podium Sans—a font similar to Apple's corporate font, Myriad. iPods with color displays then adopted some Mac OS X themes like Aqua progress bars, and brushed metal meant to evoke a combination lock. In 2007, Apple modified the iPod interface again with the introduction of the sixth-generation iPod Classic and third-generation iPod Nano by changing the font to Helvetica and, in most cases, splitting the screen in half by displaying the menus on the left and album artwork, photos, or videos on the right (whichever was appropriate for the selected item).

In September 2007, during a lawsuit with patent holding company Burst.com, Apple drew attention to a patent for a similar device that was developed in 1979. Kane Kramer patented the idea of a "plastic music box" in 1979, which he called the IXI.[6] He was unable to secure funding to renew the US$ 120,000 worldwide patent, so it lapsed and Kramer never profited from his idea.[6]


Since October 2004, the iPod line has dominated digital music player sales in the United States, with over 90% of the market for hard drive-based players and over 70% of the market for all types of players.[58] During the year from January 2004 to January 2005, the high rate of sales caused its U.S. market share to increase from 31% to 65% and in July 2005, this market share was measured at 74%. In January 2007 the iPod market share reached 72.7% according to Bloomberg Online.

The release of the iPod Mini helped to ensure this success at a time when competing flash-based music players were once dominant.[citation needed] On 8 January 2004, Hewlett-Packard (HP) announced that they would sell HP-branded iPods under a license agreement from Apple. Several new retail channels were used—including Wal-Mart—and these iPods eventually made up 5% of all iPod sales. In July 2005, HP stopped selling iPods due to unfavorable terms and conditions imposed by Apple.[59]

In January 2007, Apple reported record quarterly revenue of US$7.1 billion, of which 48% was made from iPod sales.[60]

On 9 April 2007, it was announced that Apple had sold its one-hundred millionth iPod, making it the biggest selling digital music player of all time. In April 2007, Apple reported second quarter revenue of US$5.2 billion, of which 32% was made from iPod sales.[61] Apple and several industry analysts suggest that iPod users are likely to purchase other Apple products such as Mac computers.[62]

On 5 September 2007, during their "The Beat Goes On" event, Apple announced that the iPod line had surpassed 110 million units sold.[citation needed]

On 22 October 2007, Apple reported quarterly revenue of US$6.22 billion, of which 30.69% came from Apple notebook sales, 19.22% from desktop sales and 26% from iPod sales. Apple's 2007 year revenue increased to US$24.01 billion with US$3.5 billion in profits. Apple ended the fiscal year 2007 with US$15.4 billion in cash and no debt.[63]

On 22 January 2008, Apple reported the best quarter revenue and earnings in Apple's history so far. Apple posted record revenue of US$9.6 billion and record net quarterly profit of US$1.58 billion. 42% of Apple's revenue for the First fiscal quarter of 2008 came from iPod sales, followed by 21% from notebook sales and 16% from desktop sales.[64]

On 21 October 2008, Apple reported that only 14.21% of total revenue for fiscal quarter 4 of year 2008 came from iPods.[65]. At the September 9, 2009 keynote presentation at the Apple Event, Phil Schiller announced total cumulative sales of iPods exceeded 220 million.[66]

Tuesday, October 28, 2008

iPod Central

Our iPod Hot Topic page keeps you informed with full reviews of the iPod Touch, iPod Classic, iPod Nano, and iPod Shuffle. You'll also find all the best iPod accessories, latest iPod news, iPod videos, shopping advice, and some handy tips and tricks to get the most out of your iPod, no matter which version you've got. So what are you waiting for? Dig in to our full coverage and stay up to date!
Also try: iPod family album, Prizefight: Zune vs. iPodOur iPod Hot Topic page keeps you informed with full reviews of the iPod Touch, iPod Classic, iPod Nano, and iPod Shuffle. You'll also find all the best iPod accessories, latest iPod news, iPod videos, shopping advice, and some handy tips and tricks to get the most out of your iPod, no matter which version you've got. So what are you waiting for? Dig in to our full coverage and stay up to date!
Also try: iPod family album, Prizefight: Zune vs. iPod, iPod accessories, iPod accessorieshttp://news.cnet.com/1770-5_3-0.html?query=ipod&tag=srch&searchtype=news

Thursday, May 8, 2008

Hand to fold in Online Poker

Which hand should be folded is the main question on every poker player who play online. The basic principle of the game is that you will have to play your hands as if you can see your counter part’s hole cards. If you try and play your hands differently then you are sure to lose money.

But this is not possible. So you will have to take the positive expected value situation. This is the situation which will aid you to decide as to which hands you will play and which hands you will muck.

Sunday, April 6, 2008

GizMac Accessories Ships DuraSport iPod Nano Case

DuraSport iPod cases are constructed from durable silicone. A tough, clear polycarbonate shield clips onto the front of the silicone case. The combination of the silicone and polycarbonate provide improved iPod protection for the Nano.Screen and click wheel of the iPod Nano are protected by the DuraSport case. The screen protector of the DuraSport is part of the polycarbonate front cover and provides full screen protection for Nano iPod. The click wheel protection is part of the DuraSports's silicone case and it protects the Nano while allowing the click wheel controls to function smoothly.Attachments for the DuraSport iPod Nano case include an armband, a quick change lanyard and a carabiner clip. DuraSport's fabric armband is designed for sports and work out activities. The DuraSport lanyard is a thin and light, yet strong and secure way to carry the iPod Nano. The carabiner clip provides an additional way to wear or carry the DuraSport Nano case."The DuraSport silicone iPod case gives GizMac one more unique Nano case," explained Ken Vitto, Marketing Director for GizMac Accessories, "We continue our goal to provide a great overall value to our customers and the DuraSport is no exception."GizMac has made choosing the color of DuraSport Nano iPod case easy by including two different colors of cases in every package. The additional iPod case can be used to match your changes in style or can be given to someone else. GizMac will even customize your order with two of the same color DuraSports when purchasing from their web site directly.The DuraSport iPod Nano cases are available in translucent shades of smoke, white, blue, pink and green. Retail price for the DuraSport two case pack is $29.99 U.S. and can be purchased through authorized GizMac resellers or from the GizMac website.More details>>

Saturday, April 5, 2008

Retailer Selling Interesting Portable DVD/iPod Player

Specialty retailer Hammacher Schlemmer is known for scoring quality products for those who shop its catalog and Web site. One item it has in its retail inventory is of particular interest to those who like portable electronics. It is known as the Portable iPod Video Enlarger and DVD Player and you can pick one up for around $270.
This Portable iPod Video Enlarger and DVD Player is, as the name implies, a crossover device. It is a portable DVD player which sports an 8-1/2 inch widescreen display so you can view your DVDs on the go. It also has built-in an integrated iPod dock which lets you slide select iPod models into it. You can then watch movies you have on your iPod, such as feature films downloaded off of iTunes, on the player's screen. more details>>